Tamaz Nutsubidze (1940-2002) worked on the artistic decoration of tapestry and textile. Nutsubidze suggests tapestry as essentially a flat form of painting, appreciating the duality of the medium in its practical and ideological sense, allowing
Petre Otskheli (1907 – 1937) played a pivotal role in the development of Georgian scenography in the 20th century, and continues to influence it in the 21st. Otskheli’s unlimited artistic possibilities are equally demonstrated in
Exhibition titled – “The Yellow Box” presented by artistic group On/OFF. The name refers to the yellow ochre colored container of MSC Mediterranean Shipping Company. It was MSC’s yellow container that became a source of
Discover the BOLNISI MUSEUM, where you can view exhibitions that reveal the nature of the region, the history of the first hominin, and the emergence of agriculture. Here you can also see the evolution of
Levan Tsutskiridze (1926 – 2021) was a Georgian monumentalist artist, illustrator, and painter of frescoes in the Sioni Cathedral, Tbilisi. Tsutskiridze was the author of illustrations of more than thirty books including The Knight in
Niniko Morbedaze (1957) – Graphic artist, film production designer. Niniko Morbedadze’s works successfully sold at Phillips contemporary art auction in 2020-2021 years. Her work rests heavily on the notion that what transpires in our subconscious
Georgi (Gogi) Alexi-Meskhishvili (1941) beginning from 1971, served as stage designer of the Shota Rustaveli Drama Theatre, Zakaria Paliashvili Tbilisi Opera and Ballet Theatre, and also cooperated with the Kote Marjanishvili State Drama Theatre. In
Dimitri Shevardnadze National Gallery hosts an exhibition of Irakli Parjiani’s (1950 – 1991) works together with Niko Pirosmani’s (1862 – 1918) paintings. Presenting the works of two great artists in one exhibition space offers viewers
Guga-Kot Gallery presented Levan Manjavidze’s (1977) solo exhibition, which showcases 13 of the artist’s major works. The pieces on display at the exhibition included the series “Old Children,” each one of which reflects a particular
The program united more than 30 artists from Georgia and abroad; Held various events, talks and showcases presented by several galleries based in Tbilisi. Curated by Ser Serpas and Ketevan Shavgulidze
Tbilisi Mural Fest is an annual international street art festival held in the capital of Georgia. For the third time now, prominent artists from all over the world, along with local artists, are transforming the
ATINATI, as a cultural centre, has launched a series of talks. This is a possibility for art scene to generate ideas and new visions with audience.
Archibald Kordzaia’s works are distinguished by colorful, characteristic decorative motives, where the author expresses tertiary illustrations. The author, with a generalized manner and excessive use of colors – which also contrasts with the depravity of
Along with their high artistic value and comprehensive theological content, the murals of Betania church reflect the political realities in the Georgian state of the time, as such they possess great historic significance, since they
Murtaz Shvelidze’s series “Detectio” leads the viewers to childish curiosity combined with the process of searching something mysterious. The greater powers of observation and superior mind of the detective manifested in each pieces of paintings.
Step into a green atmosphere, where the color green is a reflection of the environment, a symbol of life and renewal. The show brings together the works of different generations of Georgian artists. The concept
Searching always makes sense. Since poetry has always been a favorite form of art for Georgians, this exhibition itself can remain as a written poem. This exhibition is each artist’s first personal observation and an
Dédicace Gallery and Margo Korableva Performance Theatre present an action-happening Variable Per Se, in which a figurative-physical interaction with the works of artists is given. This form of presentation disintegrates and at the
Salome Dumbadze (1992) is a Georgian artist, which controverts the characteristic thickness and often, masculine power associated with the oil brush, into an almost transparent experience of a painting by a paintball, reminding us strongly
Exhibition – „Sometimes Paradise is a Sad Story“ 4710 Contemporary Art Gallery “The name of the exhibition already promises us something about the celestial realm, but while doing so, it also reveals a kind of
ATINATI has begun to function as a cultural center as well. This is the first solo exhibition to focus on the paintings of Georgi (Gogi) Alexi-Meskhishvili (1941) The exhibition takes a fresh look at the
Explore old and contemporary acquisitions, highlights from the Exhibition titled – “Memory Fragments” Works of Sergei Parajanov and Georgi (Gogi) Alexi-Meskhishvili presented at “The Alexander Chavchavadze House Museum in Tsinandali” In parallel, the historic garden
Exhibition titled as “Postmodernist Petroglyphs” presented at Dédicace Gallery The artworks aren’t petroglyphs, representation reduced to the liner, symbolic and #abstract signs the artists tried to create a certain parallel with archaic petroglyphs and cave
Tbilisi Mural Fest is an annual festival of street art held in Tbilisi. For the second time now, prominent artists from Berlin and other European cities are transforming Georgia’s capital into a public exhibition space
The exhibition initially conceived as a “No Fair”, a non-commercial exhibition organized in Tbilisi. “Know Thy Neighbor” united more than 20 participants and demonstrated a mix of physical and virtual projects as prompted by the
The artist is regarded as a pioneer of the urban landscape in Georgian modernism. Her paintings are noted for the combination of decorative and painterly treatment – the use of a multitude of concrete details
“IRREAL REALITY” was the topic of hand print international festival “LIFE N STYLE” this year. Recently the festival was presented in Zurab Tsereteli Museum of Modern Art. The festival fostered revival of one of the
Vakho Bugadze is an artist who manages to strike a delicate balance between contrasting elements, combining brutal energy and sophisticated sensitivity to create a world free of tension in his works. Vakho Bugadze often focuses
In the light of the ongoing pandemic, visual arts have been more concerned with the idea of timelessness and exploration of underlying spatial concepts. As a result of inherent global changes, interrelation with art has
Karaman Kutateladze, the grandson of Kiril Zdanevich and now the director of Art Villa Garikula is one of those few persons who is a bridge between avant-garde and contemporary art. He grew up in Georgia,