Tamta Shavgulidze

Tamta Tamar Shavgulidze (თამთა შავგულიძე) is an art expert, Head of the Academic Research and Creative Development Department at the Tbilisi State Academy of Arts, a professor, lecturer, and curator. At the Tbilisi State Academy of Arts, among other subjects she teaches the history and theory of sculpture, art history research methodology, and ways of reading modern art. In 2015, she defended her doctoral thesis at the Tbilisi State Academy of Arts. She is the author of the monograph “Georgian Sculpture of the 20th Century (Transformation of Form and Function),” which was published in 2018. She is the author and head of several international curatorial, scientific, creative, and educational projects, and periodically hosts her own radio and online broadcasts about art and culture. She is also a member of the International Council of Museums (ICOM) and the International Sculpture Center (ISC).

Articles

The second half of the 19th century and the early 20th century are thought of as a significant period in the development of the humanities in Georgia. During this time,

Sergo Chakhoiants belonged to the generation of artists of the 1950s, though it wasn’t until the 2000s that he gained recognition. His son, Alexander Chakhoiants, shared that the artist’s lifelong

Bediani is a small town in Tsalka Municipality, located in the historic province of Trialeti. It was established in 1954 in connection with the construction of the Khrami Hydroelectric Power

Nikoloz Kandelaki is one of the most outstanding representatives of modern Georgian art, and the development of realistic sculpture in Georgia is associated with both he and Iakob Nikoladze. In

In the nineteenth-century, Kutaisi was the second-largest city of Georgia and a center of governance within the Russian Empire. By the end of the century, the construction of administrative and

Paris, autumn 1959. The Galerie Charpentier is getting ready for its traditional exhibition of artists – graduates from the Paris School. But then Raymond Naceta the gallery’s director, decides to

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