Nino Simonishvili

Nino Simonishvili (ნინო სიმონიშვილი) is an associate professor at the Institute of Art History and Theory at Ivane Javakhishvili Tbilisi State University. Dr. Simonishvili was appointed as director of the International Research Center in Visual Arts (The Georgian State Museum of Folk and Applied Arts) and served as the director of a collaborative project between the Georgian National Museum and the Metropolitan Museum of Art that was supported by UNESCO. With the support of various prominent international scientific programs (the A.V. Humboldt and Gerda Henkel fellowships in Germany, the J.W. Fulbright scholarship,  and the A. and P. Mellon fellowships in the USA among others), she has conducted research initiatives and delivered lectures at the University of Freiburg, Munich, and The Karlsruhe University of Arts and Design in Germany; the Metropolitan Museum of Art of New York City and the  National Gallery of Art, Washington D.C. in the USA; the Research Center for Anatolian Civilizations at Koç University in Istanbul, Turkey; the Kunsthistorisches Institut in Florenz and the Bibliotheca Hertziana in Rome, Italy among others. Her research interests and publications are focused on cultural interactions between the Eastern and the Western worlds, on medieval and modern art, art historiography, and image theory.

Articles

The second half of the 19th century and the early 20th century are thought of as a significant period in the development of the humanities in Georgia. During this time,

Sergo Chakhoiants belonged to the generation of artists of the 1950s, though it wasn’t until the 2000s that he gained recognition. His son, Alexander Chakhoiants, shared that the artist’s lifelong

Bediani is a small town in Tsalka Municipality, located in the historic province of Trialeti. It was established in 1954 in connection with the construction of the Khrami Hydroelectric Power

Nikoloz Kandelaki is one of the most outstanding representatives of modern Georgian art, and the development of realistic sculpture in Georgia is associated with both he and Iakob Nikoladze. In

In the nineteenth-century, Kutaisi was the second-largest city of Georgia and a center of governance within the Russian Empire. By the end of the century, the construction of administrative and

Paris, autumn 1959. The Galerie Charpentier is getting ready for its traditional exhibition of artists – graduates from the Paris School. But then Raymond Naceta the gallery’s director, decides to

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