Irene Giviashvili

Irene Giviashvili (ირინე გივიაშვილი) was born in Gori, Georgia in 1971. She studied Art History at Tbilisi State University, from which she graduated with an Honors Diploma in 1993.

Irene Giviashvili wrote her PhD thesis under the supervision of Prof. Dimitri Tumanishvili, and obtained her doctoral degree at the Chubinashvili Institute of Georgian Art Studies in 2005.

She has served as a lecturer at Tbilisi State University, the Tbilisi State Academy of Arts, and the University of Bilkent in Ankara. She has also been a visiting scholar at the University of Oxford, a research associate at the George Chubinashvili National Research Center, and is currently an affiliated scholar at the Max-Planck-Institut – Kunsthistorisches Institut in Florenz.

Dr. Giviashvili’s research interests include the art and architecture of medieval Georgia – in particular the Cultural Heritage of Georgia within current Turkish borders and its interconnectedness with neighboring Armenia, Byzantium, and the Islamic world.

Articles

The second half of the 19th century and the early 20th century are thought of as a significant period in the development of the humanities in Georgia. During this time,

Sergo Chakhoiants belonged to the generation of artists of the 1950s, though it wasn’t until the 2000s that he gained recognition. His son, Alexander Chakhoiants, shared that the artist’s lifelong

Bediani is a small town in Tsalka Municipality, located in the historic province of Trialeti. It was established in 1954 in connection with the construction of the Khrami Hydroelectric Power

Nikoloz Kandelaki is one of the most outstanding representatives of modern Georgian art, and the development of realistic sculpture in Georgia is associated with both he and Iakob Nikoladze. In

In the nineteenth-century, Kutaisi was the second-largest city of Georgia and a center of governance within the Russian Empire. By the end of the century, the construction of administrative and

Paris, autumn 1959. The Galerie Charpentier is getting ready for its traditional exhibition of artists – graduates from the Paris School. But then Raymond Naceta the gallery’s director, decides to

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