Ilia Tavberidze

Ilia Tavberidze (ილია თავბერიძე) is a journalist and author of the books: “Prominent 19th Century Georgian Figures and Church Canticles,” “Antiquities of Jumati Monastery,” “Man of God – Ekvtime Takaishvili,” and “Holy Bishop – Gabriel Kikodze”, as well as being the founder and editor of the series: “Publications from the History of the Material and Spiritual Heritage of Guria.” In 2006, the Tbilisi State Opera and Ballet Theater began publishing the magazine “Arabesque,” and Ilia Tavberidze was invited to be its chief editor. His articles on the art of ballet have been published in various publications.

As part of a UNESCO project, on the 100th anniversary of Vakhtang Chabukiani in 2010, Tavberidze published an album dedicated to the legendary dancer and choreographer’s creative work. In 2012, to mark the 30th anniversary of Nina Ananiashvili’s stage career, he edited the book “Nina Ananiashvili.” Since 2009 he has been editor of the cultural section of the Georgian Public Broadcaster’s News Department, and author of the “Radio Calendar” program at Georgian Radio.

Articles

The second half of the 19th century and the early 20th century are thought of as a significant period in the development of the humanities in Georgia. During this time,

Sergo Chakhoiants belonged to the generation of artists of the 1950s, though it wasn’t until the 2000s that he gained recognition. His son, Alexander Chakhoiants, shared that the artist’s lifelong

Bediani is a small town in Tsalka Municipality, located in the historic province of Trialeti. It was established in 1954 in connection with the construction of the Khrami Hydroelectric Power

Nikoloz Kandelaki is one of the most outstanding representatives of modern Georgian art, and the development of realistic sculpture in Georgia is associated with both he and Iakob Nikoladze. In

In the nineteenth-century, Kutaisi was the second-largest city of Georgia and a center of governance within the Russian Empire. By the end of the century, the construction of administrative and

Paris, autumn 1959. The Galerie Charpentier is getting ready for its traditional exhibition of artists – graduates from the Paris School. But then Raymond Naceta the gallery’s director, decides to

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